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Borat Opinions and funniest movies ever


layton

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Bill

 

if you have been watching all the trailers and have seen all the Ali g stuff..then ya it was good...if you havnt seen all the trailers and heard all the jokes you will laugh your ass off while also feeling extremely uncomfortable...

 

I saw the opening sequence on You Tube where he introduces what appears to be an 89 year old woman from Kazakstan as " dis my mother, she's 46", and then drives off in a car being pulled with a horse. It was freakin hilarious.

 

Now I just read this:

 

"Borat Repulsive Comedy Sells but Can We Afford the Price

 

2006-11-10 -- WDC Media News --

 

(AgapePress) - If a deeply-accented reporter from Kazakhstan approaches you and asks to film the two of you while you use your occupation to teach him about American culture -- run. You are about to get punk'd. Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan is the creation of edgy comedian Sacha Baron Cohen, who also is the man behind the character "Ali G." Borat's fan base consists of the kind of people who find funny immensely vulgar comedy which produces its laughs at the expense of often completely innocent people. Unfortunately, there are many such fans. Borat had such a gargantuan per-screen average in its opening week that Fox is more than tripling its number of screens in its second week of release.

 

I am sure that Cohen would like nothing more than to be labeled a morally subversive envelope-pusher, and there is a side to his comedy which does force Americans to confront the worst in themselves. But self-evaluation can be achieved by more constructive means than mere debunking, and the movie is much more likely to pander to some college students' desire to watch a morally noxious film (while feeling superior to the mostly middle-class dupes that are Cohen's targets) than it is to turn them into the kind of reflective citizens who would want to repair this damaged world. At its worst, Borat desensitizes people to the very behaviors that need to be challenged (racism and religious bigotry, for example).

 

Mirror

The purported object of Borat's "humor" is to show, unmercifully, America to itself. The film begins in Borat's little Kazakhstan village populated by a materialistic competitive neighbor, an incestuous prostitute, a fondly-regarded village rapist, and a mechanic who moonlights as the town's abortionist. A village festival focuses on fearful anti-Semitism, culminating in children kicking and beating upon a "Jew egg" out of which a dangerous "Jew chick" will hatch if it is not first destroyed (Cohen expects a pass here because he is Jewish). Once we've all had a look at Borat's superstitious, racist, misogynistic culture, it is off to America, where Borat's journeys intend to demonstrate that all we find vile in Kazakhstan is plentiful in the United States.

 

Immediately upon arrival Borat encounters New Yorkers who are violently fearful of strangers. Then Borat heads south where he finds people who are both racist and violently anti-homosexual. The most disturbing interactions occur right before Borat sings his own national anthem at a Salem, Virginia, rodeo to the tune of "The Star Spangled Banner." In discussing his country's treatment of homosexuals, which is to hang them, the American on camera suggests that this is what he'd like to see done to homosexuals here in America. When Borat tells a car salesman that he wants to purchase a car that will make women want to have sex with him, or when he asks a gun shop owner which type of gun is best for killing Jews, neither salesman misses a beat. They answer his questions without flinching or, as would have been proper, recoiling in disgust at the suggestion. Finally, Borat has to hitch a ride to California with a group of college students from the University of South Carolina, who proceed to get drunk with Borat, introduce him to pornography, and offer their opinions on the desirability of reinstituting the slave trade.

 

The persuasive power of the film lies in the selectivity of the images and interviews. What the viewer never knows is how much footage was shot of people who would not take the bait, or who demonstrated appropriate outrage at Borat's cultural suggestions. Instead, viewers are left with the concocted, purposefully edited view of middle America as a place where the only power is the dollar, where people pine for an oppressive past, and where prejudice is universal.

 

Debunker

There is certainly a place for cultural critique in humor, but Borat's approach appeals to the lowest possible denominator. C.S. Lewis once argued that the easiest form of critique is debunking: the process of saying that something presented to you really just isn't so. It is simple because, despite professed cultural virtues, there are always plenty of exceptions available as fodder for criticism. All Cohen had to do to engage in debunking was look around, trick people into agreeing to be filmed by using guerilla tactics (including, according to some of the unwilling participants, outright deception), shoot a lot of film (after all, he would have to edit out any level-headed people), and find the folks that fit his predetermined assessment. Stitch them all together in the editing room, and Cohen has his movie. Americans claim a superior culture, but look at all the stupid Americans -- and don't you feel superior for being in on the joke?

 

Debased and Desensitized

Comedy serves a variety of functions. Sometimes it can be used redemptively -- as when humor arises from pride and the errors that follow on the road to the proud person recognizing his or her folly, and ultimately changing or making amends. Examples include films such as Bruce Almighty, Cars, and even Nacho Libre. While we may revile aspects of the main characters' lives, the final push in the film is toward morality, humility, and nobility. If we see a version of ourselves at the outset, these films find a way, through humor, to persuade us that we can be better people.

 

Other times films serve to mock virtue, and the humor comes from flaunting morality and getting away with it. In such films, such as the American Pie series, and more recently My Super Ex-Girlfriend and John Tucker Must Die, the criterion for coolness is lots of partying and wide-ranging sexual escapades (the more immoral the better). Authority figures (parents, teachers, police officers, etc.) are buffoons whose only reason for existence in the film is so that the cool kids can cleverly avoid them. These kinds of films teach viewers that only chumps are chaste, and that morality is for suckers.

 

But the kind of comedy Borat strains for is even worse. It belongs to the Pulp Fiction variety of humor. Pulp Fiction director, Quentin Tarantino, managed to get entire audiences to laugh at an accidental shooting in a car that took off the back of a man's head with graphic realism. Incessant exposure to extremist humor ultimately has a desensitizing effect on the viewer. In Borat the situations -- some of which are so vile and vulgar that I cannot begin to describe them in a family publication -- are just as likely to produce gasps in the audience as they are to evoke laughter. But the mixture is deadly to moral thinking. Borat fans come to wonder, "What's the big deal? Can't you take a joke?" To which Christians should respond, "Is nothing sacred?"

 

Laughter is a wonderful gift, but if there is no place to draw the line, if there are no topics that deserve reverence, when everything is funny or able to be ignored in the pursuit of a gag, comedy can become morally damaging to its viewers. Proverbs 26:18-19 best sums up the destructive intent: "Like a madman who throws firebrands, arrows and death, so is the man who deceives his neighbor, and says, 'Was I not joking?'"

 

In addition to complicity in debasing the viewer, Cohen's stunts were costly, and in one instance, dangerous. Dharma Arthur, the producer tricked into putting Borat on a local newscast, claims in a recent edition of Newsweek that the stunt caused friction between her and her supervisor, resulting in her early release from employment with the station. Mike Psenicska, Borat's driving instructor, claimed in The Baltimore Sun that Cohen's stunts behind the wheel put other drivers in danger.

 

One Odd Moment

There is an odd moment late in the film in which Borat attends a Pentecostal revival meeting. While the camera lights on Christians in various expressions of religious fervor (running the aisles, dancing, speaking in tongues), when Borat goes forward to "receive Jesus" he seems oddly discomfited. He makes no wild jokes; he doesn't sucker-punch anyone. He simply tells them that he is headed to California to claim his bride (never hinting that his intended is Pamela Anderson). It is only at the end of the film, back in Kazakhstan, once there is plenty of geographical distance between Borat and the unsuspecting Christians, that Cohen drops the other shoe. Borat explains that since the village has now converted to Christianity, they no longer have "The Running of the Jews" through town. The camera immediately cuts to the replacement tradition -- crucifying a Jew while the neighborhood folks poke at the hanging man with pitchforks. Laughter was sparse in my Southern California screening, and not a few "boos" were heard. Nevertheless, it won't be enough to derail the film.

 

Borat's a Hit -- So Graciously Hit Back

There is no denying that Borat will be a towering financial success. In its opening weekend it had already rocketed into profitability, and shows no immediate signs of stopping. In a bizarre sort of way, its own success could kill a sequel. As more and more people, even those who will not see the film (and you shouldn't) are exposed to the media attention Borat is receiving, Cohen will not find people so readily able to be duped a second time. Everyone will be more wary if anyone comes along with a participant agreement that simply must be signed now ("You don't need to read it; it's just boilerplate"), which is a good thing.

 

But what should our response be when someone asks if we have seen this "hilarious" new film? It would be easy to slip into self-righteousness, sniff, and say, ""I would never be seen at a film like that!" Instead, some questions might be more helpful, such as: "What parts of the film did you find funny?" Wait for a response, then add, "I heard that the movie depicts Jews as monsters, and that children kick a 'Jew egg' to keep it from hatching a 'Jew chick' -- was that funny? I also heard that a Jewish man is crucified and attacked with pitchforks -- did you laugh at that? Did you think it was funny that Borat tells the happy-go-lucky local rapist to cut back a little, or when he pointed to the area mechanic who uses his tools moonlighting as an abortionist? What about the gun shop clerk who advises Borat on the best caliber bullets with which to kill Jews? Was that a laugh riot?" Say it with a smile on your face, and make them defend their reaction to the film. Some may slink away from the conversation mumbling "killjoy," but don't be dismayed. You might have just performed a community service -- helping some people rediscover one of their suppressed, yet valuable, character traits: conscience."

 

Link location: Borat review

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A village festival focuses on fearful anti-Semitism, culminating in children kicking and beating upon a "Jew egg" out of which a dangerous "Jew chick" will hatch if it is not first destroyed...

 

When in Uzbekistan (bordering Kazakhstan on the SW), a native Uzbek told me he was brought-up to believe Jews were sub-human and hatched from eggs. He said it is very common that when parents want to scare their children, they tell them, if they are bad, they will be eaten by Jews. He said there is a common cultural folk song telling of a hideous Jew monster that stalks children to eat them.

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A village festival focuses on fearful anti-Semitism, culminating in children kicking and beating upon a "Jew egg" out of which a dangerous "Jew chick" will hatch if it is not first destroyed...

 

When in Uzbekistan (bordering Kazakhstan on the SW), a native Uzbek told me he was brought-up to believe Jews were sub-human and hatched from eggs. He said it is very common that when parents want to scare their children, they tell them, if they are bad, they will be eaten by Jews. He said there is a common cultural folk song telling of a hideous Jew monster that stalks children to eat them.

 

I think the film would have been better served by using a fictional *-istan country rather than a real one.

 

I had intended to go see this movie, but after reading that review, I think I'll pass. Although, I do find a lot of the self-righteous talk in there a little annoying. It seems a bit knee-jerk especially concerning anything that touches on Jews and antisemitism. The point of showing that in the film is certainly NOT to make people laugh at Jews and get and idea that they should be persecuted, but rather to laugh AT antisemites, and show how ridiculous their hatred is.

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A village festival focuses on fearful anti-Semitism, culminating in children kicking and beating upon a "Jew egg" out of which a dangerous "Jew chick" will hatch if it is not first destroyed...

 

When in Uzbekistan (bordering Kazakhstan on the SW), a native Uzbek told me he was brought-up to believe Jews were sub-human and hatched from eggs. He said it is very common that when parents want to scare their children, they tell them, if they are bad, they will be eaten by Jews. He said there is a common cultural folk song telling of a hideous Jew monster that stalks children to eat them.

 

BTW, did you try and Kumys while you where there? hahaha.gif

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Yep. Had kumys and (I forget the name) horse intestine stuffed with spiced fat; but, that was in Kyrgyzstan. The spiced fat was delicious, but the horse intestine was like chewing on one of those large rubber bands that bind broccoli together in the grocery store.

 

I've had worse out of American refrigerators.

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A village festival focuses on fearful anti-Semitism, culminating in children kicking and beating upon a "Jew egg" out of which a dangerous "Jew chick" will hatch if it is not first destroyed...

 

When in Uzbekistan (bordering Kazakhstan on the SW), a native Uzbek told me he was brought-up to believe Jews were sub-human and hatched from eggs. He said it is very common that when parents want to scare their children, they tell them, if they are bad, they will be eaten by Jews. He said there is a common cultural folk song telling of a hideous Jew monster that stalks children to eat them.

 

I think the film would have been better served by using a fictional *-istan country rather than a real one.

 

I had intended to go see this movie, but after reading that review, I think I'll pass. Although, I do find a lot of the self-righteous talk in there a little annoying. It seems a bit knee-jerk especially concerning anything that touches on Jews and antisemitism. The point of showing that in the film is certainly NOT to make people laugh at Jews and get and idea that they should be persecuted, but rather to laugh AT antisemites, and show how ridiculous their hatred is.

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It's whacked how we live in this environment of info at our fingertips and, yet, we are unaware (including the film critic quoted above) of the pervasive and damaging cultural myths (lies) that hold mankind on this small planet in prisons barred with ignorance-induced hatred.

 

we are so inward-focused: constant attention on various "isms" of our culture, which pale in comparison to what goes on outside our borders. but of course, our culture is no better than any other - just "different". rolleyes.gif

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When in Uzbekistan (bordering Kazakhstan on the SW), a native Uzbek told me he was brought-up to believe Jews were sub-human and hatched from eggs. He said it is very common that when parents want to scare their children, they tell them, if they are bad, they will be eaten by Jews. He said there is a common cultural folk song telling of a hideous Jew monster that stalks children to eat them.

 

Wow. After I'd read the great Jerzey Kosenski novel of post WW2 Poland, "the Painted Bird", I was having a discussion with a friend from Minn. of how bad people often treat others, especially strangers. He was adamant that stuff doesnt' happen, ever. I said I lived in a small town in Colorado as a pup and have seen it in this country with my very own eyes.

 

Unfrigganbeliveable. At least most of us in the US have moved on and grown up, maybe the Borat film is a reminder to all of us that we in the US are not as all on the same page as we'd like to belive and imagine.

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Now I just read this:

 

"Borat Repulsive Comedy Sells but Can We Afford the Price

 

2006-11-10 -- WDC Media News --

 

Link location: Borat review

 

If christian media watchdogs really wanted to bitch slap Cohen for his deathblow to morality, they wouldn't fuel ticket sales by feeding the publicity machine with reviews like this, which even goes so far as to suggest that true believers go see the movie to better prepare themselves to levy guilt upon other viewers who find it funny.

 

Yet again, the joke's on them. Perhaps Pastor Ted could weigh in on the subject...

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I saw Borat over the weekend. I share some of KK's squeamishness about using a real country as his purported home, but aside from that qualm it was pretty damn funny. There is nothing innocent about most of the people skewered in the film, they do it to themselves by the things the believe and say.

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