Search the Community
Showing results for tags 'exit 38'.
Found 2 results
Rad posted a topic in Rock Climbing ForumTrip: Blade Runner FA + info on 18 new routes at Shangri La, X38 ONE PAGE PRINTABLE TOPO ADDED BELOW. Date: 10/12/2012 Trip Report: Blade Runner First Ascent (Shangri La new route info follows). We like to think that our best days are ahead of us. As climbers, we believe that if we train harder, learn new techniques, and buy the right gear we’ll break through to a new level. This works for a while, but the tides of time are against us. At some point we must pass our high water mark. Most of us won’t recognize this milestone until months or years later, but sometimes you know when it happens. Mine was 8am on October 12th, 2012. For 15 years I’d been on a 5.9 to 5.10 plateau. There were always excuses. Grad school, post-doc, start-up, kids, remodel. Years of weekend warrior climbing rolled past. The tide finally turned in 2006 when I took a job across the street from the UW climbing gym. I started bouldering regularly and met new partners. Two of them, Alex and Scott, opened up my eyes to the world of new route development. Together, we put up a handful of 5.9 and 5.10 lines in the Deception area of Exit 38. That summer I climbed my first 5.11 in 15 years. 5.11 is barely a warm-up for strong climbers, but for me this was a breakthrough. For almost two decades, 5.11 had been a psychological barrier, an impenetrable ceiling through which I thought I would never pass again. This made me wonder what my potential really was. At 38, I knew I didn’t have long to find out, so I set a goal to climb my first 5.12 before I turned 40. It was a long shot, but if I tried I might bump up to a new level and be able to climb routes that had long been out of reach. There were obstacles. I was working full time, managing our home remodel, and riding the night train of two small kids with a third on the way, but I did climb. First ascents on the Shangri La cliff at Exit 38 marked a slow but steady rise in my abilities. 2007 Guillotine, 5.10. A gear-protected corner with a sharp flake in the middle. History Book, 5.10. A gear-protected crack with an ancient piton. Small Arms Fire, 5.10. A sustained route with small holds on a steep slab. 2008 Metamorphosis, 5.10+. A two-pitch line on a 300 foot face with a mix of bolts and gear. Crouching Tiger, 5.10+. A route with sloping features and rock as rough as #100 sandpaper. Forty came and went without a 5.12 redpoint, but I did climb some great 5.11s around the Northwest. The following year, I found three spectacular lines at Shangri La at my limit. To climb them, I had to learn a new process: find solutions for each crux, rehearse the moves, draw a detailed map, visualize the sequences, work to link sections, and then go for the redpoint. This type of mind/body training is not new. Tony Yaniro was one of the first US climbers to build a training wall that simulated the specific movements he needed for his project. Top climbers of the day scoffed at his approach, calling it cheating, but our bodies are remarkable machines that adapt to the challenges we present to them. If you want to get good at pull-ups you train by doing pull-ups. If you want to get good at certain climbing moves you train by doing those moves. In 1979, Yaniro’s training paid off when he established The Grand Illusion, then the hardest route in North America. On the mental side, repetition of movements creates muscle memories that allow our bodies to perform complex motor functions. Once these muscle programs, or motor engrams, are mastered they can be played back with minimal conscious input. Watch a toddler try to eat with a spoon for the first time and you’ll appreciate how complex this task really is and how much focus is required to learn new tasks. What enables us to eat our cereal without spilling while walking down stairs and talking on the phone? We’ve mastered each of these tasks through repetition. Interestingly, we can also train for complex movements through visualization, or virtual rehearsal, where we imagine ourselves performing the task. Thus, training your mind actually trains your body, and vice versa. Achieving mastery of complex motor functions allows us to focus on higher levels of control, such as managing fear, optimizing arousal levels, relaxing unnecessary muscles, and staying focused in stressful situations. Even strength can be traced back to mental training, when we consider that strength training is driven by motivation, discipline, planning, and self-assessment. Free your mind and your body will follow. I started using these tools and was able to do three 5.11 first ascents: 2009 Free Radical, 5.11-. A striking line on an exposed arête. Hidden Dragon, 5.11. Four different cruxes spread over a hundred feet. Hypertension, 5.11+. A hard opening and then several more cruxes. But I still hadn’t climbed 5.12. The few I'd tried felt impossibly hard. It didn’t help that I was spreading my energies across different sub-disciplines: bouldering indoors, setting routes in the climbing gym, climbing routes outdoors, developing new bolted routes, and climbing in the mountains a few times per year. Time was flying past. If I was going to cross the 5.12 threshold I needed to focus on that goal. In early 2010, I found my first target: Rainy Day Women at Little Si. It suited my style, with three bouldery sections separated by good rests. I found solutions that worked for me, drew a detailed map, rehearsed, and tailored my training to the three cruxes. On March 14th everything came together. The final crux, which had felt desperate on previous attempts, went smoothly and I made the redpoint. I was elated, but RDW is known to be soft for the grade, so I looked for my next target. I’d heard Lay of the Land was good, so we gave it a try. As before, I made a plan, drew my map, visualized the sequence, and trained for the crux. I planned to skip a bolt near the end that was difficult to clip and created rope drag. The second trip out I made it to the anchor but missed a key foothold and fell trying to clip the chains. I added that foothold to my mental map and sent the route on our next trip. The satisfaction of climbing a route is usually immediate and fleeting, but this was deeper and grew over time. One route might be a fluke, but not two. I’d started across the elusive 5.12 threshold. Two months later, I bolted a spectacular line at Shangri La that I knew would be in the 5.12 range: Skullduggery. It was continuously overhanging, sustained, and technical. New routes are particularly enticing for me because they represent unsolved puzzles on unexplored terrain. Maybe a few will become classics that people will climb for decades to come. Skullduggery had all the right ingredients, but I couldn’t link the moves. Psychology shows that motivation is highest when the chance of success is around 40% to 60%. Above 80%, we assume we’ll succeed and don’t bother preparing. Below 20%, we probably don’t think it’s worth the time and effort to try hard. But it’s not that simple. Creativity, visualization, rehearsal, and route-specific training can dramatically increase the odds of success on a route. Finding a solution to the crux that matches your skills and strength might increase the overall odds of success from 2% to 20%. Rehearsing sequences makes you more efficient and gives you more energy for the final cruxes, perhaps increasing the overall success rate from 20% to 60%. But you have to choose the right objectives. Skullduggery was a perfect goal for me in 2010 because it represented a possible first ascent just beyond my limit. I drew a map that detailed 68 hand and foot movements, rehearsed the moves, and trained for specific movements. Being strong enough to do the moves doesn’t guarantee success. The proper mental state is also essential. I needed to be calm but psyched to give 100%, energized but relaxed, and, perhaps most importantly, focused on the process and not on the outcome. Zen. On a cool summer morning in July of 2010, after two weeks of rehearsing and training on a fixed line, I went up with Jens to go for the first ascent of Skullduggery. Fortunately, that morning I was in the zone, that rare space where mind and body perform seamlessly as one. It was almost as if I was a detached observer watching a carefully choreographed gymnastics routine. I sent the route first go. Oddly, it was both anti-climactic and deeply satisfying. Skullduggery was the hardest route I’d ever climbed and is definitely harder than the four other 5.12a routes I climbed in 2010. As far as I know it hasn’t been repeated. Fifty feet left of Skullduggery is a clean overhanging face whose crux involves improbable moves on a protruding blade of rock. This feature inspired the route’s name: Blade Runner. The day I climbed Skullduggery, Jens and I tried Blade Runner. We could do the opening moves but were completely shut down by the crux. There were features, but we couldn’t work out how to use them. My brain wrestled with this puzzle on and off over two years. I would envision a solution, get excited, and go try it. Each time, I was shut down and went home thinking I would never climb the route. But I kept turning the puzzle over and over in my mind. In the summer of 2012, I made a close inspection of all of the features on the route and started working in earnest to find a solution. Idea #1: Grab two sloping holds and do a huge dynamic leap to an undercling and sloper that must be caught simultaneously. Fail. The slopers aren’t as positive as they look, the footholds are crappy, and the catch holds are too far away. Idea #2: Lie back up the left side of the blade. Fail. This is very strenuous, and the blade ends well below the next set of holds. Idea #3: Knee bar up the cleft left of the blade. Fail. The wall where you place your feet slopes away so this is challenging, and the knee bars end where the blade ends, well below the next set of holds. I wasn’t making any progress. Truth be told, there were times I was tempted to chip a hold. A tiny foot chip on the blade, or an incut in the arch, might allow me to get past the crux. I have a chisel and hammer. No one would know. But I would. And I would be bringing the route down to my level instead of meeting the challenge presented by nature. So I refrained, as I always have, even if it meant I would never climb the route. Instead, I started to break the problem down into smaller puzzles. Idea #4 and Solution Part 1: I figured out I needed to lie back on a vertical sidepull above the blade to reach the next set of holds. Getting to the vertical sidepull became the new crux. I tried to get my left foot up onto a high hold to set up the lie back. Fail. I can’t get my foot that high without falling because the handholds aren’t in the right positions. Idea #5 and Solution Part 2: I figured out I could get a heel/toe cam on the flat wall of the blade and use this in opposition with the sloping rail to move up to the vertical sidepull in a compression sequence. The new crux became the transition between the compression sequence and the vertical sidepull. Fail. If you compress too hard you fly off when you try to bump your hand up to the vertical sidepull. But this can be fixed. Idea #6 and Solution Part 3: I needed to work out how to move into and through the compression moves, maintaining high body tension, without pushing myself off when I made the bump to the vertical sidepull over my head. Small adjustments to foot, hand, and body positions, as well as force angles and force magnitudes, were going to be critical. After many hours on the rock I found an optimal combination and could just barely make the compression to sidepull transition. I’d solved the hardest part of the crux but still needed to move over to the next holds out left. Idea #7 and Solution Part 4: Maintain tension and pinch the blade between my feet to push out left to a crimp. This feels strange, but it works. The opening moves needed to be more efficient so I would have enough energy for the crux and the hard moves beyond it. The section after the crux would provide unexpected challenges and an amazing sequence as well, and, of course, I would need to link it all together, but I was zeroing in on my solution. I wrote a map that detailed 75 precise hand and foot movements from start to finish. After each work session I updated this choreography. Now I needed to link the sequences together, figure out where and how to clip the bolts, and train my mind and body to perform the route. To prepare for Blade Runner’s crux, I trained to compress two sloping sidepulls while maintaining high core tension and balancing on my right tiptoe. From this position, I had to bump my right hand to the vertical sidepull over my head. What had once seemed impossible was beginning to loom on the horizon as something I might just pull off. But time was running out. It was October. We’d had the longest continuous run of good weather in a decade, but the winter rains were on the way. I trained for the specific movements I needed for the route, rehearsed and refined my solution for the crux, worked out the most efficient path for sequences before and after the crux, and started to put it all together. When mind and body are primed for peak performance there is a window of opportunity to break through to a new level. I had entered that window for Blade Runner, but it wouldn’t be open for long. On October 6th, I went out with Ed to try to climb the route. Unfortunately, I had a cold and was on pseudoephedrine. Attempt #1: I moved smoothly through the opening but fell at the crux due to lack of body tension. I rested, but the pseudofed wouldn’t allow my heart rate to return to baseline. Attempt #2: I got through the crux but fell on one of the last hard moves after burning too much energy clipping the last bolt. Attempt #3: I made it through the crux but fell below my previous high point. Attempt #4: I fell at the crux, too spent to maintain enough body tension to make the bump to the vertical sidepull. I needed a little more strength, a better foot sequence after the crux, and a better strategy for clipping or skipping the last bolt. We went home. I rested on Sunday, did movement-specific training on Monday, refined my foot sequence, and planned to skip the last bolt. I felt ready, but the Fates were about to intervene. The long-range forecast showed a wall of rain coming on Friday, October 12th that would shut us down for the season. Several partners said they could go out on Saturday the 13th, but that would probably be too late. My window was about to slam shut. I was 44 and had three growing kids, a growing list of minor injuries, and a job that was growing more fun and more demanding. There was no guarantee I’d be strong enough, healthy enough, or have enough time to climb Blade Runner in 2013, or perhaps ever. I made two back-up plans. The first was duct tape. Blade Runner is steep enough that only three of its holds get wet after a light rain. I dangled from the rope and fashioned duct tape tents and drain systems for these holds in case I had to make an attempt on Saturday in the drizzle. The second plan was to call Jens and ask if he would go on a Friday dawn patrol mission. Thankfully, he knew how much I wanted this and was willing to give it a shot despite a mediocre forecast that showed rain starting around 10am. We planned to leave my house at 6am. My wife would take the kids to school. Thursday evening I ate a hearty meal, got the kids to bed, packed the gear, took a hot bath to relax the body and mind, and went to bed early. Then my wife’s pager went off. A patient in Bellingham needed emergency surgery. If the patient came down Friday morning I’d need to take the kids to school and we wouldn’t get to the crag until at least 10. By then it would probably be raining. Kids and patients come before climbing, of course, but it felt like the Fates were taunting me. The patient came to Seattle at 11pm, and my wife did surgery until 1am, so I was free to go at 6am as planned, assuming there were no more emergency calls. There weren’t. I woke at 5:20am. It was pitch dark, but I saw water running down the window and heard rain gently pattering on the roof. Everything was wet. I looked at the forecast for North Bend. 70% chance of rain for 7am and 8am, 30% for the rest of the morning, then 60% for the rest of the day. The window had slammed shut. Should I text Jens and tell him to stay in bed? I’ve worked too hard to give up now, and he was probably already on the way over. Let’s just go take a look. Jens arrived at 6am and we drove East through the rain. There was no wind. The wall of rain was marching slowly and steadily East toward Blade Runner. Was the crag wet? Would the duct tape keep the holds dry? There was no way to know until we got there. Amazingly, we emerged from the leading edge of the advancing rain when we reached North Bend. I turned the windshield wipers off. The highway was dry. We got to the trailhead just before 7am. Everything was still dry. Either the sky was about to open up or the forecast I’d seen was wrong. We would soon find out. We hiked up to the Shangri-La cliff. Temps were cool. The rock was dry. All was calm. We didn’t know how much time we’d have before the wall of rain was upon us, but I needed a warm-up so we quickly climbed Crouching Tiger. Then it was time for Blade Runner. I knew I wouldn’t have enough strength for a lot of attempts, and the rain could start falling any minute, but I stayed calm. I was ready. I’d climbed the route many times in my head. It was time to climb it in real life. I tied into the rope, put my shoes on, climbed up to clip the first bolt, and then climbed back down again. I closed my eyes and breathed slowly in and out, in and out, to get my heart rate down. After a few minutes, I opened my eyes and cast off: crossover from the undercling into the first lieback, twist my left leg as I move into the second undercling (the opening flowed smoothly) clip the bolt at the crux, set my heel-toe cam on the blade, move smoothly into the compression sequence, tense the core, bump to the vertical sidepull (my mind was empty but focused) pinch my feet on the blade, press to reach the small crimp out left (I was now through the crux but had fallen past here before) keep weight on small footholds, skip the last bolt, deadpoint to a good hold (just a few more hard moves) reach left to the pinch, pop to the undercling (almost done now - breathe) cross through with the feet, balance on two slopers, lock a heel hook down, and move to the final sloping sidepull...Clip. Clip. It was done. The impossible dream had been realized. It was 8am on October 12th, 2012. I’d reached my high water mark. Jens tried the route, and then we removed the quick draws and pulled the rope. By the time we reached the car the rain had started. It wouldn’t stop for over a month, and the whole cliff would be soaked until spring. Blade Runner was one of the most rewarding experiences in my 22 years of climbing not because it was the hardest route I’ve ever climbed, but because it required a huge mental and physical investment that pushed me beyond my perceived limits. I’ll probably never climb a harder route. I’m OK with that. But twenty feet right of Blade Runner is an even steeper, more intimidating line that looks amazing. I’m sure it’s way too hard for me, but maybe I’ll just go take a look... ……………………. Shangri La Details on 18 new routes in the Shangri La area of X38 -Please pack out all trash. Obvious pathways away from the crag are on the lower approach so please don't soil them with human waste. Please leave carabiners on anchors for lowering a la Nason ridge. Enjoy! ………………………… Most of these routes get good sun exposure and dry fast. The start of History Book and one section of Guillotine are prone to seepage after a lot of rain, but most other routes dry quickly. Blade Runner and Skullduggery face South and are best climbed in the early morning or on a cloudy day. Metamorphosis faces East and can be hot on a summer morning. Route distribution*: 5.8 3 5.9 1 5.10 7 5.11 5 5.12 2 * - Ratings are subjective. Proposed ratings are suggestions based on how the routes might compare to similar routes at the Lower Town wall at Index. I will enter these on Mountain Project. Feel free to suggest your own ratings so we can arrive at a consensus. …………………………………….. Printable topo Approach notes: Orientation: The Far Side area of X38 has several East-facing crags in a line: Interstate Park, Eastern Block, Squishy Bell, and Headlight Point crags. Ellie's Sweet Kiss is a very popular route in the middle of Interstate Park. Shangri-La is on the Eastern and Southern faces of the large rock formation across the giant talus field East of these crags. A few Far Side maps: Driving map Roads and topo for X38 Far Side Crags map Far Side trails The trails map is not to scale. Winter Block is almost directly above Shangri La. Hiking directions: Go to the Far Side parking lot. Start up the trail that starts just N of the bridge over the SnoQ river. When the trail forks go left, then an immediate right/straight, cross a wet area on a tiny boardwalk, then go left. Gritscone is in front of you at this point. Follow the wide trail, avoiding turnoffs to the right. When the trail steepens turn left into the forest at a small saddle. Follow the trail up steeply to the where it flattens out. Turn right on one of the side trails and make your way to the line of cliffs that includes Interstate Park, Eastern Block, Squishy Bell, and Headlight Point. Shangri La is East of the obvious talus field East of these cliffs. There are two ways to approach Shangri-La from the talus field: 1 - Aim for an obvious dead snag on the buttress that is about the same level as Ellie's Sweet Kiss. To get there, follow a series of easy but exposed ledges that start below some brush on the E edge of the talus. Pass below a large pine and head to the dead snag. From the snag, scramble down about 25ft of 4th class to the East. This brings you to the base of the wall. The first obvious feature is History Book, a left-leaning dihedral. You may notice some chains at the top of the face near the dead snag. This is the anchor on Small Arms Fire, which is a rap in and climb out route. 2 - Follow the talus down to the bottom of the buttress, cross under the bottom of the buttress on a faint trail that passes a giant tree with a cable on it. When you get to a smaller talus field, go straight up hill. When the talus ends at the forest go straight up to the base of the Shangri-La crag with History Book and Guillotine and Skullduggery. You'll know you're in the right place when you see a giant corner with a huge flake about 40 feet up (Guillotine), and several bolted lines. To get to Metamorphosis and Magic Carpet Ride, go right at the top of the little talus field mentioned above. View of the talus and upper and lower approaches from the top of Ellie's Sweet Kiss. Looking back past Shangri-La with Ellie's Sweet Kiss in the background. Looking up at the 4th class scramble. It's easier than it looks. ……………………………………… The following routes are on a wall on the left side of the guillotine corner. From left to right: Science Friction = 5.10d bolted face with two friction cruxes. Left of History Book. 5 bolts. 15 meters. FA Roberts, August, 2012. History Book = 5.10a trad crack in a left-leaning dihedral. Follow the crack to chains at the top of the cliff. DO NOT trust the ancient rusty aid piton! A standard rack will suffice. 20 meters. FA (ground-up onsight) Roberts, August, 2007. Crouching Tiger = 5.10c bolted roof and face climbing. Start 10 feet left of History Book, head up and right to the first bolt, and then go straight up over a series of small roofs. 8 bolts. 20 meters. FA Roberts, October, 2008. Hidden Dragon = 5.11c (11+ if shorter than 5’9”) bolted face and roofs. Start 8 feet right of History Book. This route has four different cruxes, multiple roofs, and a clean upper dihedral. 12 bolts. 29 meters. FA Roberts, July, 2009. Hypertension = 5.11+/12- bolted face and roofs. A stick clip might be wise as the bouldery crux is off the ground. Requiring power, balance, and body tension, this route will test your versatility. 13 bolts. 28 meters. FA Roberts, September, 2009. Guillotine = 5.10b trad crack and flake in a giant corner. Enter the corner near the first bolt of Free Radical (a solid cam can be placed at the lip if you’re a purist). Climb up to and past the namesake flake on the right wall and follow the corner to its end. Then clip a fixed nut and make some airy moves up and right to the chains. A standard rack is fine. 22 meters. FA Roberts, August, 2007. Free Radical = 5.11a bolted route on the arête right of Guillotine. Outstanding moves in a great position. Shares an anchor with Guillotine. 9 bolts. 22 meters. FA Roberts, August, 2009. Hangman = 5.10a bolted face and roof with fun friction moves at the top. This starts at the Guillotine/Free Radical anchor and goes a full 30m to chains. You can link Free Radical and Hangman for a 52 meter pitch. You'll need about 23 quickdraws to get up and a 60m rope to get down. 13 bolts. 30 meters. FA Roberts, June, 2007. The following routes are on the overhanging face right of Guillotine: Bladerunner = 5.12c? (5.11 to V6 to 5.11) overhanging bolted face on pristine rock. Unrepeated. This route takes a striking line up the super-clean, overhanging face right of Free Radical. It has a devious crux that requires core strength and creativity. Easy to top rope after climbing Guillotine or Free Radical, but be sure to use the Bladerunner anchor as there is a sharp roof above that could damage the rope if you TR from the Guillotine/Free Radical anchor. Overhanging, South-facing exposure keeps this route dry most of the year. 4 bolts. 10 meters. FA Roberts, October, 2012. Skullduggery= 5.12b? Unrepeated. A bit of skullduggery (an act of trickery or deception) may be needed to get up this steep, technical, and sustained line Overhangs 17 feet in its 40 foot length. Starts fifty feet right of Free Radical. A worthy test piece. Use the hand line to ascend the slab. Belay/start at the bolt and fixed cam that anchor the hand line. 5 bolts. 13 meters. FA Roberts, July, 2010. Open Project = 5.12+ or harder route on an overhanging face right of Skullduggery. Bolted. The following routes are on walls around to the right from Shangri-La. To get there, descend a trail about 100 feet and then veer left into the next amphitheater. Three routes are ready for climbers: Meta Cliff: Metamorphosis = 5.10d adventurous two pitch line up the center of a 300ft face. If you stand at the giant tree, look up and left at a big face. Metamorphosis p1 (10+) climbs up the center of this. The first pitch starts at a small roof at the ground, gear goes in a small crack, two bolts lead past a bulge, gear protects moves up higher, and there is one final bolt before the belay just below a large ledge (5.10+). The second pitch starts up a flake and vertical crack, moves up and left and then back right past bolts and gear, follows three bolts up thin and exposed face climbing, passes a short crack before a ledge, and ends with a bouldery finish past a bolt (5.10+). You could continue up 4th class terrain to a bolted anchor at an airy perch atop the Shangri-La cliff. Rap with one or two 60m ropes. Ropedrag might be bad if you try to link the two pitches. Note: it is best to belay for the first pitch very low at a divot in the vegetation. Start climbing in tennis shoes and change to rock shoes at the small roof. Needs an approach trail. Gear from small cams to #2 camalot. 50 meters total. FA Roberts, May, 2008. Metaphysics = 5.11R? (5.10R to a well-protected V3 crux at the roof to a 5.10 upper section). Unrepeated. This trad line follows the start of Metamorphosis to the flake below the first bolt. Place cams in a diagonal crack on the face 6ft below this flake and then traverse straight right 6 feet. Follow holds straight up and over the obvious roof. There is good protection in cracks on the slanting roof section. Climb up to the second roof, place gear, and zag up and left to the anchor at the top of the first pitch of Metamorphosis. Microcams to a single #4 camalot for the last placement. FA Roberts, November, 2011. Magic Carpet Ride = 5.8ish trad crack up a series of corners. This is on the large slabby face about a hundred feet right of Metamorphosis. Head up to a large tree. Pass this and continue up to the higher of two left-traversing cracks. Follow a series of corner cracks/dihedrals to the top of the buttress. You’ll see the scrub line. Turn the last roof on the right and follow a mossy ramp to anchors up and left. This route is about 40 meters and will get better with more traffic. You can rappel with two ropes, just barely get down with a single 70 meter rope, or rap to the tree with a single 60 and rap again or down climb. Standard rack. 40 meters. FA Roberts, April, 2008. Unnamed = 5.9ish bolted line. This starts about fifty feet right of Magic Carpet Ride. Follow a scrub line up and right toward a small roof and a bolt. Follow a line of bolts up nice but slightly dirty climbing. Bolts are in a line but some zigzagging is needed to climb past the roof. It’s about 35m to the anchors so bring two ropes. Nice moves all the way to the end. 10 bolts? FA Krawarik, 2009. The following climb is on a face above the giant tree below the buttress with the dead snag. This can be approached by rapping in from chains at the top of the buttress next to the dead snag. Direct approach from the bottom may be developed. The following climb starts at the base of a large pine just uphill from the dead snag. Drive By = 5.8 bolted arête and face in a great position with excellent views. Clip one chain, skip the next chains. Put a long runner on a bolt 15 or so feet higher, and then aim for the slab/arête feature above you. There are several bolts on the slab leading to a final mantle. Rap the route. Be careful not to drop things on parties below. 25 meters. 8 bolts. FA Roberts, Krawarik, Anderson, May, 2007. Unnamed = 5.8 trad corner above Drive By that needs some gardening but is still fun. 27 meters? Standard rack. FA Krawarik, Locke, June, 2007. The following climb is on a face above the giant tree below the buttress with the dead snag. This can be approached by rapping in from chains at the top of the buttress next to the dead snag. Small Arms Fire = 5.10c bolted face with thin, balancy moves in a great position. Rap down to the starting anchor from chains near the dead snag. Lead out or do a top belay. 6 bolts. 20 meters. FA Roberts, August, 2007. The following route is quite close to Headlight Point, on the way to the lower approach to Shangri-La. Approach: Headlight Point is the first cliff you get to when coming from the Gunshow area. It is the Southern-most crag of easy (5.6ish) climbs on the trail. Right behind those climbs, is a tree and a dirt ramp that leads a few meters down into the forest. Follow the ramp a few feet. Skirt a bush, drop a few feet along a tiny talus field, and head across to the obvious cliff. A large flat rock at the base of a tree marks the start of Third Stone from the Sun. To continue to Shangri La, follow the small cliff to its end at the giant talus field. Cross that and head for the approach that goes below the bottom of the large buttress as described above. Third Stone from the Sun = 5.11c bolted overhanging face. Lots of action in a small package. 5 bolts. 11 meters. FA Roberts, June, 2011. Photos: History Book Crouching Tiger low Crouching Tiger middle Crouching Tiger high - McClellan Butte in the background. Hidden Dragon Red line is Hidden Dragon. Green is Hypertension. Both continue out of sight above. Guillotine Free Radical is the arete right of Guillotine, which Ian is climbing here. The Guillotine flake is visible on the left. Free Radical is the arete left center. Blade Runner is right center and ends at the visible chains. Duct tape engineering on Blade Runner Skullduggery Skullduggery Yellow is Metamorphosis. Red is Metaphysics. Metamorphosis is the yellow line. I'm approaching the top of Metaphysics. Both routes share a belay. Metaphysics Metaphysics Small Arms Fire Gopro shot from the top of Small Arms Fire. The dead snag is 10 feet behind me. Third Stone from the Sun Don't forget to hit the swimming hole! stay tuned for more... THANKS TO MANY GREAT PARTNERS AND HELPERS OVER THE YEARS: Alex, Scott, Jens, Matt, David, Ed, Michael, Mike, Blake, Leland, Frank, Scott, Ryland, and others. Gear Notes: See route descriptions above. Approach Notes: X38 Far Side trails. See details and links above.
Rad posted a topic in Rock Climbing ForumTrip: X38 Far Side - Trad headpoint: Metaphysics (FA) Date: 11/1/2011 Trip Report: People usually think of X38 as the land of short, bolted routes under 5.11, and for the most part it is. But there is a growing set outside those boundaries. This is a tale of two new routes that hold both mental and physical challenges for trad leaders. At the Eastern edge of the Far Side of X38 lies a 300 foot, East-facing, diamond-shaped cliff that can be seen as you drive West on I-90. When we first walked under it, I was captivated by a striking crack/flake that leads to a roof half way up the wall. Upon closer inspection, it became clear that a stellar two-pitch route, protected by a mix of bolts and gear, could go straight up the middle of this face. In the photo below, the second pitch starts on a ledge up and left from where I am, goes up and over the obvious flake/roof just left of center, and ends out of sight just above the highest point of rock visible in the photo. I knew that in order to climb the route I'd have to bump up my meager abilities and become a different climber. This concept gave rise to the route's name: Metamorphosis. In May of 2008, Michael and I did the first ascent of this adventurous two-pitch line. A number of people have repeated Metamorphosis, but it deserves more traffic than it gets. Here's an old topo that lists the gear and sections (cam = camalot). Ever since those early days, I've been admiring a line right of Metamorphosis that follows cracks in a slanting roof feature below a blank-looking face. We continued the "meta" theme with Metaphysics: a branch of philosophy that explores the intersections between reality and fiction, determinism and free will, and poetry and quantum mechanics. This line was obviously well-beyond my abilities in 2008, so I filed it away for "someday". A few years passed, more FAs followed, and I gradually got a little stronger. I went up this fall to take a closer look at the line and scrub the lichen off the upper face. Two things became clear: 1 - The line would involve excellent movement on impeccable stone (there was no loose rock to remove), and 2 - The route could be adequately protected without any bolts, although it would have a couple of spicy runouts. I worked out the moves and gear placements, scrubbed off the lichen, and prepared to headpoint Metaphysics. For routes at or just beyond my limits, I draw detailed maps marking every feature, foothold, and handhold. These help me memorize and visualize every detail of the sequence, like a choreographer's map of a dance routine. I expected the weather would shut down and Metaphysics would have to wait until next year, but there was a convergence of weather, fitness, and partners on November 1st. So we went for it on a gorgeous, sunny afternoon. It was great to share the experience with two climbers who are avid explorers and route developers. Unlike most of my first ascents, this one was captured on film. Side note: don't be deterred by some moss you'll see in photos of the bottom of the line. You don't have to climb on or through it. The hand and foot holds are all clean. I'll do more cleaning when I can... Preparing to commit. Shaking out before making one last move to a protectable crack in the slanting roof. Five feet higher, I started doing the sewing machine while holding a gaston and trying to place the protection. A fall there would not be good. I forced myself to relax, stay in control, place the critical protection, and make the moves to a good hold below the crux roof. The crux requires a leap of faith. You're getting pumped and you think, "there's no way I'll be able to hold onto that", but then you do. Fortunately, you're protected by multiple pieces of bomber gear at this point. Thin face moves above the roof get your attention. The foot holds I'd planned to use worked fine on TR but felt too small on lead, so I improvised a new sequence through this thin and balancy section. At this point you're committed because the gear is below the lip of the roof. It was only after I saw the photos that I noticed the rope was running over a protruding foothold. I don't think it's sharp enough to cut the rope, but I'm glad I didn't have to find out! Gear under the upper roof is not obvious and must placed carefully so it won't rip out in the event of a fall. See topo. At this point there are a few more tenuous moves left. They shouldn't be too hard, but I was mentally and physically fried from the lower parts of the route. I set a solid heel hook and prepared for the final moves to the anchor, which is shared with Metamorphosis. And for a few seconds I got sketched out. If the upper gear holds, a fall here would be safe. If it rips out you'd be in trouble. Sometimes we have to rely on the force of will to carry us through when our minds and bodies are convinced we're going to fail. Mind over matter. Metaphysics. I think of a scene late in Finding Nemo, where Nemo's dad Marlin is scooped up and swallowed by a pelican. His amazing and improbable adventure is about to end in the belly of a lazy seabird. But something snaps in Marlin, who has been grumpy, skeptical, and negative up to this point. He stops himself in the middle of the pelican's throat and screams, "NO!!! I DID NOT COME THIS FAR TO END IT ALL HERE". Through force of will, he stops himself mid-esophagus, reverses, and escapes from the gull's gullet with Dory in tow. And that's what I had to do....without the aid of Pixar's brilliant graphics team. I willed myself through the key heel hook/mantle and stayed focused to the end, clipping the chains with a whoop of delight that was probably heard back in Bellevue. The most satisfying and memorable climbs for me are the ones where the outcome is in doubt. They require hard work and test the limits of both mind and body. The FA of Metaphysics is right up there for me, and that's part of why I'm telling the story here. The other reason is that I want other people to go out and experience their own adventures on it. ................... I'm not a purist. I've placed my share of bolts, generally believing that the quality of a route should drive decisions about how it is developed more than the ego of the first ascentionist. Another rationalization is that I don't want to create a route that kills or seriously injures someone. I'd expected to have to bolt Metaphysics to climb it, and even when I found some gear placements I thought that I might still bolt it, otherwise no one would ever climb it. But it felt right to leave the line in its natural state, to preserve the raw challenge presented by nature, even if it meant there is the potential for serious consequences if you make a mistake. That's ok. Part of climbing is overcoming fear, controlling your mind, and using every skill you have to safely ascend a line without falling or hanging. Life has consequences. Why should climbing be different? ..................... It's hard to be objective about a route's grade when you have it wired. Perhaps 5.10R to V2/V3 to 5.10R. So maybe 5.11R? I don't know. It is what it is. Climb it and let us know what you think. THE NEXT IMAGE CONTAINS DETAILED BETA THAT WILL RUIN YOUR ONSIGHT IF.... you can decipher my solution from the cryptic hieroglyphics below. Gear Notes: Trad gear as noted in the topos Approach Notes: Orientation: The Far Side area of X38 has several East-facing crags in a line: Interstate Park, Eastern Block, Squishy Bell, and Headlight Point crags. There is a giant talus field East of this line of cliffs. Drop down to the talus and cross it to pass under the bottom of the large, scraggly buttress. Follow an indistinct path, pass a giant tree, and pop out onto a second, smaller talus field. Go straight up. Where the talus ends at the forest go right to the Meta amphitheater. Shangri-La is to the left. The Meta cliff pictured above is on your left as you enter the Meta amphitheater. It's best to belay very low at a divot in the vegetation. Start climbing in tennis shoes and change to rock shoes at the bottom of the two obvious cracks where the climbing starts. I'll try to develop a less dirty, less erosion-prone approach by springtime.